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Bess, the daughter of a man who worked in the management of the Niagara Falls power plant, and Tom, the young riverman she falls in love with, are everyday people, loving and lovable, interesting and individual. Even Tom, modeled after a historical figure who could seem larger than life, has a simplicity that makes his unusual abilities and his heroism seem perfectly natural. Sometimes lyrical, the prose is also straightforward, so that the beauty of the way something is said never obscures the meaning of what is being said. The novel's theme deals with death and spirituality in a graceful way that never preachesA sequel to A Tabernacle for the Sun, which appears on my "Best of xxxx" list below, this novel delves more deeply into the conflicts between old ideas and new at the beginning of the Renaissance. Too often, philosophy seems like a dry, abstract endeavor without direct application to people's lives in the real world. Even more than A Tabernacle for the Sun, this novel shows how intensely, wrenchingly emotional the ramifications of the new ideas that gave birth to the Renaissance could be and how powerfully they affected people's daily lives. It can be tempting to attribute Africa's problems entirely to its history of being exploited under colonialism (or entirely to the failings of Africans). The surrealism of this slender novel is, ironically, what allows it to grapple so perceptively and realistically with the roots of Africa's problems not only in the brutality of the colonizers, but also in the greed and passivity of Africans who enabled the colonization process. Time is condensed for its hero, who lives through the history of Africa from before Europeans arrived until after Africans finally won their independence, and reaches a point of genuinely joyful insight.The best historical novels are directly relevant to modern issues, illuminating dynamics so entrenched they may seem immutable by tracking back to their origins in the past. Some of the characters in Rifling Paradise are sympathetic, some appallingly unsympathetic, but both types of characters play a role in the exploitation of Australia's primeval natural environment. Weaving through this gripping, suspenseful story are subtleties of language and incident that offer important clues to additional layers of irony and insight, a treasure trove for the thoughtful reader who enjoys tracing themThis novel is remarkable for its atmosphere, so thick and foreboding you could cut it with a knife. Two young women, each psychologically deformed by the differently exploitive ways in which they were brought up, meet, grow close, and make a desperate bid for freedom. In dreams, a house is often a symbol of the self, and Fingersmith mines the tradition of the Gothic novel to create a house whose isolation, mystery and confining atmosphere reflect the lives of its inhabitantsSometimes, you don't need or want a book to be deeply reflective or psychologically or morally illuminating. You just want it to be great fun. Deliciously witty and full of dilemmas that grow more excruciating by the page, Georgette Heyer's Regency romances supply fun in abundance. WhiArabella is like a tasty dessert, it's also the result of meticulous research, so readers who "know too much" about nineteenth-century English mores and customs won't be tripped up by anachronismsPirate Latitudes plunges readers into a death-defying adventure. Like Arabella, it's a novel to be read for pure fun, but the flavor is red meat rather than chocolate mousse. It's violent, fast-paced and full of plot twists to keep you on the edge of your seat. Improbable encounters and last-minute escapes from the jaws of death are supported by a wealth of well-researched details to provide that crucial illusion of reality that fosters suspension of disbelief.Set on the eve of the French Revolution, this is a prequel to other mysteries in the "Aristide Ravel" series that take place after the Revolution, and it can easily be enjoyed as an introduction to the series for readers who haven't read the others. Along with a genuinely intriguing mystery and a portrayal of one of the most remarkable (but little known) historical figures of the time, it offers insights into the pre-Revolutionary period that go deeper than the usual pat explanations of what led to the RevolutionThis novel is remarkable in portraying both the pagans and the Christians of Roman Britain and Gaul with respect and sympathy. The third in a series, it centers on a Roman army physician and his mistress, a woman of the Brigantian tribe in northern Britain. Their misunderstandings about each other as she gives him crucial assistance in unraveling a difficult mystery reflect the clash of cultures between Roman and Briton. The novel is also very funny.Winter in Madrid captures the exhaustion and diminished sense of hope in Spain after its Civil War. Amid the floods of novels about World War II, the Spanish Civil War has been relatively neglected by novelists. Reminiscent of Graham Greene, this mystery of slowly building intensity, which becomes a thriller in the later chapters, portrays with unsparing realism the tragic interplay among politics, war, and the desires, hopes and cruelties of individual humans.An inexperienced judge left in charge during the August vacation season in Aix-en-Provence must find out who murdered a beautiful young woman and left her body in a quarry where the artist Paul Cézanne had been painting. It seems she had been his mistress. Skillful prose makes the stifling midsummer heat in nineteenth-century Provence almost physically present for the reader, and the setting echoes the characters' suppressed, hothouse emotions in this psychologically astute novel. Less a mystery than a meditation on the frailty of the human body, the power and limits of ego, and the temptations of the medical profession, Race for the Dying is about a naive young doctor who joins the practice of an old family friend in a small, late-nineteenth-century logging town on the Washington coast. It is all too relevant to the modern world in showing how easily people can fool themselves and others into believing exploitation is really altruism.The novel opens with a modern man wrecking his car, which bursts into flame. I fell in love with the woman who visits him in the hospital burn ward. Somehow, it's beside the point that we never know quite who she is (a time-traveler? a reincarnated fourteenth century German nun? a sweet but delusional mental patient who has researched medieval German mystics much too thoroughly?). She's a rich and multi-dimensional character, and I felt like she was right in the room with me as I read. Plus, I learned a lot about fourteenth century German mystics.This is another novel that puts readers right inside the skin (unburned this time) of its main character, a man of violent impulses and a deep yearning for love. He's not a nice guy, but his clumsy, often counterproductive efforts to find a human connection won my sympathy without winning my approval. This novel introduced me to the seventeenth century Diggers movement, an idealistic but poorly organized group that, amid the carnage of the English Civil War, tried to take over uncultivated land to develop agricultural communesAlso set in the seventeenth century, Conceit couldn't be more different from As Meat Loves Salt, except that once again the characters sprang to life as I read. You don't need to know or admire John Donne's poetry to appreciate his daughter's yearning to experience the kind of passion he wrote about, or her frustration with his insistence (now that he is Dean of St. Paul's Cathedral) that such emotions are unworthy of himself and his family. There's no violence, unless you count the hazards of falling cathedral beams during the Great Fire of LondonRight away, the beautiful prose in this novel made me feel I was in the hands of a master. Shortly thereafter, the story of a young man's search for fulfillment in Lorenzo de Medici's Florence fully won me over. Most novels set in Renaissance Italy irritate me with the superficiality of the characters' desires. Renaissance Florentines were indeed wealthy beyond the dreams of most Europeans of their day. Many of their concerns were indeed superficial. For some, though, wealth provided an avenue to learning and philosophy. Young Tommaso burns with desire for two incompatible but decidedly unsuperficial things: revenge for the Florentines' destruction of his city, and spiritual understanding.