BIGBANG World Tour Concert Tickets at Mandalay Bay in Las Vegas on October 2, 2015 in Las Vegas, Nevada For Sale

BIGBANG xxxx WORLD TOUR SCHEDULE & TICKETS
BigBang Tickets
Mandalay Bay - Events Center
Las Vegas, NV
Friday
10/2/xxxx
8:00 PM
View Tickets
We will have an excellent selection of concert tickets for the BIGBANG World Tour xxxx and options made available by the hosting venues including, if made available, Meet and Greet Passes and VIP Fan Packages for select venues.
The BIGBANG concert tickets available might include BIGBANG Presale Tickets, BIGBANG Front Row Tickets, BIGBANG Floor Tickets, BIGBANG Balcony Tickets, BIGBANG Orchestra Tickets, BIGBANG Pit Tickets, BIGBANG Loge Tickets and BIGBANG Mezzanine Tickets.
To view an updated schedule for the BIGBANG xxxx World Tour please use this link:
Updated BIGBANG xxxx World Tour Schedule.
BIGBANG xxxx World Tour Schedule
BigBang Tickets
Mandalay Bay - Events Center
Las Vegas, NV
Friday
10/2/xxxx
8:00 PM
View Tickets
BigBang Tickets
Staples Center
Las Vegas, NV
Saturday
10/3/xxxx
7:00 PM
View Tickets
BigBang Tickets
Honda Center
Anaheim, CA
Sunday
10/4/xxxx
8:00 PM
View Tickets
BigBang Tickets
Prudential Center
Newark, NJ
Saturday
10/10/xxxx
8:00 PM
View Tickets
BigBang Tickets
Prudential Center
Newark, NJ
Sunday
10/11/xxxx
8:00 PM
View Tickets
BigBang Tickets
Air Canada Centre
Toronto, Canada
Tuesday
10/13/xxxx
8:00 PM
View Tickets
two late writers named above, Ovid is about the only person who is a real story?teller. Virgil makes very little of his story in verse: and it is shocking to think how Livy throws away his chances in prose. No: putting the Petronian fragments aside, Lucian and Apuleius are the only two novelists in the classical languages before about 400 A.D.: and putting aside their odd coincidence of subject, it has to be remembered that Lucian was a Syrian Greek and Apuleius an African Latin. The conquered world was to conquer not only its conqueror, but its conqueror's teacher, in this youngest accomplishment of literary art. It was probably in all cases, if not certainly, mixed blood that produced the curious development generally called Greek Romance. It is no part of our business to survey, in any detail, the not very numerous but distinctly interesting compositions which range in point of authorship from Longus and Heliodorus, probably at the meeting of the fourth and fifth centuries, to Eustathius in the twelfth. At one time indeed, when we may return to them a little,
we shall find them exercising direct and powerful influence on modern European fiction, and so both directly and indirectly on English: but that is a time a good way removed from the actual beginning of our journey. Still, Apollonius of Tyre, which is probably the oldest piece of English prose fiction that we have, is beyond all doubt derived ultimately from a Greek original of this very class: and the class itself is an immense advance, in the novel direction, upon anything that we have before. It is on the one hand essentially a "romance of adventure," and on the other essentially a "love?story"--in senses to which we find little in classical literature to correspond in the one case and still less in the other. Instead of being, like Lucius and the Golden Ass, a tissue of stories essentially unconnected and little more than framed by the main tale, it is, though it may have a few episodes, an example of at least romantic unity throughout, with definite hero and definite heroine, the prominence and importance of the latter being specially noteworthy. It is in fact
the first division of literature in which the heroine assumes the position of a protagonist. If it falls short in character, so do even later romances to a great extent: if dialogue is not very accomplished, that also was hardly to be thoroughly developed till the novel proper came into being. In the other two great divisions, incident and description, it is abundantly furnished. And, above all, the two great Romantic motives, Adventure and Love, are quite maturely present in it. To pass to the deluge, and beyond it, and to come to close quarters with our proper division, the origin of Romance itself is a very debatable subject, or rather it is a subject which the wiser mind will hardly care to debate much. The opinion of the present writer--the result, at least, of many years' reading and thought--is that it is a result of the marriage of the older East and the newer (non?classical) West through the agency of the spread of Christianity and the growth and diffusion of the "Saint's Life." The beginnings of Hagiology itself are very uncertain: but what is certain is